The Scholarly Feminist: Archiving with Kate Eichhorn

http://feministing.com/2011/12/19/the-scholarly-feminist-archiving-with-kate-eichhorn/?utm_source=twitterfeed&utm_medium=twitter

By GWENDOLYN
| Published: DECEMBER 19, 2011
Eichhorn
Welcome to the first edition of The Scholarly Feminist, a bi-weekly series featuring interviews with feminist academics.  The aim of the series is to bridge the blogging/academic divide by linking discussions in academia to those taking place online. Today’s interviewee is Kate Eichhorn, Assistant Professor of Culture and Media Studies at  The New School for Liberal Arts.  You can learn more about Eichhorn’s work on herwebsite
. You can email any comments or suggestions for future Scholarly Feminist interviewees here
. Enjoy!
1) You are currently doing work on feminist archives, tell us about that, and how you became interested in the subject.
My current research reflects an ongoing interest in questions of temporality and history, but my forthcoming book is also a deeply political and personal project. It started with an attempt to off load my own archive of queer feminist materials. First by chance and then somewhat more intentionally, I found myself accumulating a rather substantial collection. It included hundreds of zines collected in the early 1990s, but also six boxes of lesbian small press publications—a “donation” from a former professor. I’m not sure when, but at some point, I realized I was creating an archive of queer feminist print culture and started to look for a public home for my haphazard archive. That’s when I discovered that my archival impulse was not necessarily unique.
By 2006, there were already several substantial collections of girl zines that had been donated to university libraries, including the collections housed atDuke University
and Barnard College
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Archives, Artists and Designers

Journal of the Society of Archivists

Abstract

The University of Stirling Archives and Glasgow School of Art recently undertook a number of projects in collaboration with artists, designers and galleries to create new work inspired by the study of their collections, bringing their archives to new audiences. These collaborations provided an insight into the art and design world’s attitude to archives. The discussions held and decisions made highlighted the tensions often present between archival methods and creative choices and highlighted the visual, aesthetic beauty of archives, something the profession often overlooks, preoccupied with the evidential value of the material we manage. This article looks at the issues raised by these often fretful, but always fruitful collaborations.

 

http://www.tandfonline.com/doi/abs/10.1080/00379816.2011.619707

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Cita:

A menudo la intrusión dei teléfono en el hogar fue objeto de ataque,

como décadas después lo fue
la intrusión de la televisión. Blasfemar por teléfono planteaba proble-
mas éticos. ~Debia tratarse como una ofensa? EI «delito telefônico»
fue sacado de contexto. En 1907, un artículo de Cosmopolitan Magazine
que, una vez más, anticipaba artículos que un siglo después se referirían
a internet, se titulaba «Las compafiías telegráficas y telefónicas [y aqui
se las trataba como agencias asociadas, no como competidoras] como
aliadas de los garitos de delincuentes-. No es sorprendente que otros
críticos las vieran como «aliadas de la polida». En lo concerniente a
estas cuestiones era usual encontrar conjuntos de opiniones contras-
tantes, rasgo familiar en la época de las transmisiones radiales e inclu-
so antes.

Peter Burke, De Gutemberg a internet

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AFECCAV Conference

 
AFECCAV Conference
(Association Française des Enseignants et Chercheurs en Cinéma et Audiovisuel)
( French Association of Teachers and Researchers in Cinema and Television)
http://www.afeccav.org

University of Paris-Est-Marne-La-Vallée, 9 – 11 July 2012
http://www.univ-mlv.fr
Scientific Committee : Martin Barnier, Philippe Bourdier, Thierry Bozon, Marie-France Chambat, Jean-Michel Durafour, David Faroult, Kira Kitsopanidou, Fabien Lelarge, Giusy Pisano, Geneviève Sellier, Sylvie Thouard.
Scientific Conference
From source materials to databases: Is everything archive?
It is an acknowledged fact that archive-based research thoroughly altered the historiography and understanding of the cinema (especially of early cinema) and of audiovisual technology. The fact that archives are also a source of signs and clues leading to a history of forms seen from an aesthetic point of view has not been fully explored, nor their reception. However we increasingly resort to documents that are nothing more than gigantic archive databases: this intense interest in finding an archive wherever it is hidden (Archive Fever), the almost compulsive search on Internet for a picture, a fan’s blog, an unpublished document, an old film found on Youtube, is henceforth a practice that reaches beyond the strict boundaries between amateur and specialist, student and scholar. On one hand the very practice of analysing films, a television series or any sound or visual document relies more and more on ‘external’ elements: different versions of the screenplay, critical comments, posters, stills, etc. On the other hand playing with found footage has become one of the most frequent forms of creation. The aim of this conference is to explore these new intergenerational practices which are often neglected, especially in France. To throw light on the above we will mainly examine:
Reception studies before and after the Internet; how can the numerous traces left on the Internet by film buffs, music lovers and fans be used?
The role of archives in the aesthetic analysis of films and sound recordings.
Film criticism and theory used as archives.
The archives and the historian: what influence has the (re)discovery of film corpus, sound and visual documents had on our knowledge of the history of cinema and television? Where does the work of the historian start and finish? Where does aesthetic analysis begin and what is its foundation?
Archives and artistic creation.
The construction of personal identities by the users of Facebook, Twitter. Is the distinction between official and personal archives still a dividing line or is it obsolete? How does the transformation from a personal to a public or semi-public document take place once on the net?
Internet and the archive. When does a document become an archive? Has Internet undermined the importance of archives? Have the traditional means been “overtaken” by the new forms of archives?
Have national and international storage facilities modified their offer, their conservation and restoration practices?
One basic question will feed the plenary sessions: how to handle and confront the spreading out of archives nowadays increased by Internet? How to make sense and use them without limiting interpretation? Do the archives create the researcher?
Topic proposals (250 words + biography in 4 lines) to be sent to Dejan.Ristic@univ-mlv.fr before 20th December 2011. The papers can be in French or English.

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Documento líquido, Documento-red, Ontología.

diumenge 25 de setembre de 2011

http://diplomaticapuntcat.blogspot.com

Joan Soler Jiménez

Hemos hablados últimamente de documentos que «se disuelven» o incluso de la muerte del documento en lo que es su constatación sólida, estable y física, en lo que es una entidad estructurada. La idea de «red» que plantea el sociólogo Zygmunt Bauman como concepción de «la sociedad» entiendo que es equiparable también a sus productos. Los documentos son productos de información eminentemente sociales y, por lo tanto, pueden acabar siendo considerados como una red de datos que configura una matriz de conexiones con una cantidad esencialmente infinita de posibles usos. Lo que algunos han llamado ontologías. El temor de Bauman es que las redes puedan ser tratadas como «desconexiones aleatorias» donde la cantidad esencialmente infinita sea de posibles «permutaciones». Así pues, aun admitiendo la lenta pero progresiva disolución del documento en beneficio de entidades configuradas por relaciones y conexiones, establecemos dos puntos de limitación que permitan frenar una deriva abierta e infinita: (i) Que la matriz sea de conexiones no aleatorias sino pertinentes. (ii) Que la cantidad infinita de posibilidades sea de usos para dar respuesta a una cantidad no finita de preguntas o necesidades. Ante la realidad de la disolución del documento en una entidad de conexiones pertinentes orientadas a dar respuesta a un número limitado de preguntas … podemos hablar de documentos líquidos o documentos-red? O olvidamos definitivamente el concepto documento y hablamos simplemente de ontologías? Tiene futuro el concepto de documento?

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¿Podremos confiar en la tríada Cloud Computing, Big Data y Business Analytics?

http://diplomaticapuntcat.blogspot.com
Joan Soler Jiménez
Es cosa sabida que los datos en formato electrónico pueden estar estructurados, semiestructurados o no-estructurados. Los estructurados lo están en bases de datos; los semiestructurados se «semiorganizan» usando lenguages de marca como el XML; y los no-estructurados los encontramos en sistemas de directorios más o menos organizados ubicados en unidades de red, por ejemplo. Las organizaciones ya hace tiempo que tienen detectado en los no-estructurados el «marrón» de la gestión de la información, y para resolver su descontrol y su volumen en bits aplican tecnología de largo alcance. Un 80% de los datos generados por las organizaciones se encuentran en situación no-estructurada y por este motivo necesitan de soluciones de alto impacto.

Los Sistemas de Gestión de Documentos deben lidiar con estos tres conjuntos de datos y deben «domesticar» los distintos entornos donde se utilizan y producen. Los documentos electrónicos pueden representarse a partir de cualquiera de estos tres tipos de datos. Gestionar estos tres estadios en que se encuentran los datos necesita de soluciones distintas. Evidente es que cuanto más estructurados estén los datos más sencilla parece ser su recuperación, accesibilidad y usabilidad. Pero «estructurar» datos es una tarea ardua, lenta y de timing alargado.

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Technology Companies: The New Human Rights Players

http://www.huffingtonpost.com

Posted: 12/10/11 11:33 AM ET

In 2011, tens of millions of people took to the streets in protest to defend their human rights. With the help of cell phones, YouTube, Twitter and Facebook, we have been able to monitor and track violations taking place all across the world. Even in Syria, where no journalists are allowed, we have been able to «witness» events on the ground from the screens of our various devices.

Cameras are literally everywhere, helping activists and ordinary citizens document and share vast numbers of human rights abuses with unbelievable speed. From Syria alone, thousands of hours of footage of protests and abuse are shared with newsrooms and social media outlets each day. Take, for instance, the images posted of a 13 year-old boy named Hamza Ali al-Khateeb who wasarrested at a protest and later found tortured and killed. From similar footage on the Internet, there is no doubt that he represents hundreds of others who have suffered the same fate.

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